![]() Read IndieWire’s full review of “Aftershock.”Īt some unknown point in the near future, an android named Yang (Justin H. “Aftershock” is a powerful project inspired by loss, one that aims to move us closer to a world where all women, and especially Black women, are listened to and given the birthing experiences they deserve, so that we can one day begin to see an end to the abysmal statistics on maternal mortality in the United States. The documentary from directors Paula Eiselt and Tonya Lewis Lee simultaneously gives a wide-angle and close-up look at the dangers of giving birth while Black, from the ways women’s healthcare has been taken out of their hands over time, to how this trend has impacted individual families who undergo the devastating experience of losing their respective partner, child, or mother in the blink of an eye, all due to preventable complications and medical neglect.ĭespite its heartbreaking subject matter, what emerges is not only a portrait of grief, though it captures this painful mourning process with care and sensitivity. “Aftershock” is the result of tragedy, and the collaborative efforts of families who have endured the outcomes of systemic racial discrimination in reproductive health. The statistics speak for themselves: According to the CDC, Black and Native women are two to three times more likely to die from pregnancy-related causes than white women in this country. Get watching!Įric Kohn, Ryan Lattanzio, Jude Dry, Natalia Winkelman, Nicholas Barber, Vikram Murthi, Susannah Gruder, and Siddhant Adlakha contributed to this list. It also means that we can’t include movies we’ve already seen and adored that have yet to be released, even if they’re right around the corner, including a number of our favorites from the last run of fall festivals (rest assured, though, they’re coming).įor now, there’s plenty of good stuff to catch up on. That means we’ve got the usual festival leftovers from last year that finally made their way to audiences, new titles from earlier festivals that have already been released, all alongside a handful of films that materialized in recent months. Our list of the best movies of the year so far follows the same basic rules as it has in years past: In order to qualify, a film must have been released in North American theaters for at least a week or on a VOD platform or streaming service in the same territory. Best of all: each of these films is available to see right now. Oscars 2023: Best Animated Feature PredictionsĪ handful of the films that have already earned a mark of IndieWire distinction premiered on the festival circuit, some went straight to streaming platforms, and there’s even the odd blockbuster or two (good action movies, what a concept!) rounding out the lot. New Movies: Release Calendar for September 30, Plus Where to Watch the Latest Filmsįrom 'Reality Bites' to 'Fatal Attraction,' Keep Track of All the Upcoming Film-to-TV Adaptations And there have been plenty of new names to admire, too, including Audrey Diwan, Panah Panahi, Mimi Cave, John Patton Ford, Owen Kline, Adamma Ebo, and Jerrod Carmichael, all of whom have bowed debuts that make us feel hopeful for the future of film. ![]() Some of our favorite filmmakers have returned to the cinema with fresh visions, including everyone from Kogonada to Andrea Arnold, David Cronenberg to Daniels, Terence Davies to Peter Strickland, Lena Dunham to George Miller. The first nine months (and change) of 2022 have already gifted film fans with a wide array of incredible cinematic offerings, and there’s still plenty of titles yet to arrive on a screen near you. Freedom (and, of course, restriction, and so very much of it). Romance (forbidden, unexpected, edifying, and nurturing). ![]() Meat (both human and otherwise, and so very much of it).
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